Introduction
This article—drawing extensively on the research of Professor Oded Yisraeli—examines references to the mezuzah from both before and after the emergence of the Zohar in the late thirteenth century, in order to trace shifting cosmologies. To map these changing approaches, we shall examine successive periods of Jewish literature from the third century to our times, each marked by distinct emphases and developments in the evolving mystical cosmology of the mezuzah.
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| Sefer haZohar, Cremona Edition (1559-1560) |
Introduction
This article—based extensively on the work by Professor Ronit Meroz—examines new evidence suggesting that the Zohar and Sefer haBahir may have originated in the Middle East, challenging the prevailing Spanish and Provencal origin theories. Sidestepping the controversies over who wrote the Zohar, it is historically evident that the text first appeared in material form around 1290 in Spain. This emergence led the majority of scholars to conclude that the Zohar was a creation of Spanish Kabbalists. Meroz's research, however, shifts the cultural milieu for the origins of this emerging Kabbalah, from Spanish and French Christian lands to Middle Eastern Muslim lands.
Gershom Scholem: Single authorship by Moshe de León in Spain
In the 1940s, Gershom Scholem ascribed the role of sole authorship of the Zohar to Moshe de León, based on similarities in Moshe de León’s writing style when compared to his other known books. This view remained the dominant scholarship for half a century.
