499) The debate over the authenticity of the portrait of R. Shneur Zalman of Liadi

From the Abraham Schwadron Portrait Collection, National Library of Israel archive

Introduction

This article ꟷ based extensively on the research by Professor Wojciech Tworek[1] ꟷ examines the debate over the authenticity of one of the best-known portraits in Chassidic iconography; that of the Alter Rebbe, R. Schneur Zalman of Liadi, the first Chabad Rebbe. 

Unlike the iconic portrait of the Baal Shem Tov which has conclusively been shown to be not of the Baal Shem Tov of Medzhebuzh (c.1700-1760) but rather of the Baal Shem of London (1708-1782) ꟷ  there is much controversy over the portrait of R. Shneur Zalman of Liadi (1745-1812). 

The portrait of R. Shneur Zalman is published in the haTamim (vol. 2 p. 755) anthology of the sixth Rebbe of Chabad, R. Yosef Yitzchak Schneerson, under the title “תמונת תואר פני קדש הקדשים, The picture of the image of the Holy of Holies...” 

414) Did the first three Rebbes of Chabad credit the Vilna Gaon for saving Chassidism?

Mekor Baruch R. Baruch Halevi Epstein (1860-1941)

Introduction

In a most interesting source found in Mekor Baruch, the first three Rebbes of Chabad are said to have acknowledged the Vilna Gaon for his role in keeping Chassidism within the framework of traditional Judaism. Considering that the Vilna Gaon was Chassidism’s most ardent opponent, this seems like quite an outlandish and unlikely claim.

Mekor Baruch

Mekor Baruch was written by R. Baruch Halevi Epstein (1860-1941) and is a four-volume collection of memoirs and recollections from leading personalities of previous generations. His father, R. Yechiel Michel Epstein (1829–1908), the author of Aruch haShulchan, is said to have studied together with R. Menachem Mendel of Lubavitch (1789-1866) the third Chabad Rebbe, known as the Tzemach Tzedek.