![]() |
| The Kedusha in a 1745 Siddur according to the custom of the Arizal |
Introduction
This article—drawing extensively on the research by Dr Leore Sachs-Shmueli—examines a fundamental shift in the mystical interpretation of the Kedusha, recited during the communal repetition of the Amidah (standing prayer). The Kedusha, with its liturgy dating to the fifth century CE (Fleischer 1998:305), was understood in early Jewish mysticism—particularly the Heichalot and Merkavah literature beginning from around the second century CE—as an opportunity for earthly worshippers to imitate and mimic the prayers of the heavenly angels who united heaven and earth through their recital of the Kedusha. In this ancient framework, human prayer was conceived as an echo of the primary celestial liturgy. However, with the emergence of the Zoharic corpus in the late thirteenth century (the Zohar first circulated around 1290), a significant theological shift took place. The angels, who were once conceptualised as being central to the Kedusha, were now relegated to the margins, while humanity assumed the pivotal role in a cosmic drama that sought to unite heaven and earth.







